The taking of pelham one two three full movie online

#THE TAKING OF PELHAM ONE TWO THREE FULL MOVIE ONLINE SERIES#

вЂњThe Taking of Pelham One Two ThreeвЂќ came fairly late in the 1970s cycle of Vehicular Disaster Epics after two crippled airplanes вЂњ The Poseidon Adventure,вЂќ it was perhaps inevitable that we'd get a train, a dirigible in вЂњ The Hindenburg,вЂќ an elevator in вЂњ The Towering Inferno,вЂќ and a sequel to вЂњThe Poseidon AdventureвЂќ in which, had I been consulted, the ship would have righted itself and the poor devils would have had to start all over again, retracing their steps.

'If you ransom those hostages, you've got 18 sure votes.' The cops are confused, their reaction is chaotic (how do you tell a subway car to pull over and stop?) and the mayor is concerned about his slumping popularity.

#THE TAKING OF PELHAM ONE TWO THREE FULL MOVIE ONLINE SERIES#

We don't have to endure a series of ' Airport'-style vignettes in which a pregnant woman goes into labor, a guitar-playing nun cheers people up, etc.ДЄbove ground, the police work is presented in a plausible way, too. They're handled convincingly, and the details of the hijack are worked out in a straightforward, plausible way the film concentrates on the communications between Walter Matthau, trying to buy time, and Robert Shaw, maintaining credibility. Wrong-the passengers may have been cast according to their stereotyped titles, but in the movie they're just a carful of scared people. Great, I thought this is gonna be another rerun of those World War II movies where the platoon is a cross-section of American racial, social and ethnic stereotypes and everybody does his shtick. I walked into the theater just as the end titles were rolling up on the previous show, and the credits for the passengers included such standbys as the Deliver Boy, the WASP, the Old Man, the Hooker, the Older Son, the Spanish Woman, the Pimp, the Hippie, the Homosexual, and the Co-eds (numbered Co-ed One and Co-ed Two). This note of unforced realism extends even to the passengers being held hostage.

These aren't machine-made genre characters, but individuals (and, more specifically, New Yorkers with gallows humor, paranoia, warmth and resiliency). Walter Matthau is gruff, shaggy and sardonic as a Transit Authority lieutenant Robert Shaw is clipped and cruel, and the supporting performances are allowed to grow and take on personality. It depends instead on a nice feel for New York City and some fine, detailed performances. But the movie's appeal - which is considerable - doesn't depend on the plan or on the easily foreseeable plot. The gang has a good, sound plan, not too complicated, and they almost get away with it. Tom PediВ plays a headstrong transit official who walks straight into danger and gets machine-gunned down for his unrealistic appraisal of the situation.When вЂњThe Taking of Pelham One Two ThreeвЂќ first appeared as a novel, I avoided it on the reasonable grounds that (a) there was no plausible way to hijack a subway train, and (b) if there was, it would be so obvious it wouldn't be interesting. Lee Wallace scores the biggest laughs as the mayor of New York who doesnвЂ™t want to appear in public because the people always boo him. They are described more in terms of amused pathos than evil. The hijackers, all sporting the same style fake mustaches, are played by Robert Shaw, Martin Balsam, Hector Elizondo and Earl Hindman. The large, well-characterized cast is ably headed by Walter Matthau, whose wonderfully weary sense of irony is perfect for the head of the Transit Authority police, who ad libs wry jokes to the hijackers in the process of activating or stalling their demands. Lovett keep the pitch of excitement high and constantly in motion. SargentвЂ™s straightforward action direction and the skilled juggling of editors Gerald Greenberg and Robert Q. SargentвЂ™s accomplishment is in his deft establishment of interesting, full-dimensioned characters, described in a single gesture or line of dialogue, without slowing down the story. The story pretty much takes care of itself, but the description of characters, which must necessarily be brief, can easily fall into stereotypes.

The logical pitfall of multiple jeopardy pictures lies not so much in the plotting as in the characterization. New Yorkers, packed together closer than any other people and living under the constant threat of municipal breakdown, have evolved a defensive, resigned sense of humor that unifies their plight. The premise and setting are perfect for the national obsession with disaster. Peter Stone has adapted John GodeyвЂ™s compelling novel about the hijacking of a New York subway train for a million-dollar ransom into a many charactered screenplay highlighted by arch New Yorker survival dialogue.

The taking of pelham one two three full movie online